Character Analysis: Rotwang
By: Brian Cotnoir
One of the earliest
and most successful films of all-time has to be Fritz Lang’s “Metropolis”. For a film that is almost a century old it
still receives praise for its style, set, practical effects, and story. The film only has 5-6 actual characters that
you get to know from watching the film.
There’s the bitter Joh Fredersen, the sweet-natured Freder, and of
course the lovely Maria, but as I learned through a quick search of Google,
there have already been tons of Analysis’s done on these characters, but much
to my surprise, there was one character that not—for the most part—has gained
little fanfare, so today I am here to do my analysis on, Rotwang, the mad
scientist.
CHARACTER: Rotwang
from “Metropolis” (1927)
Rotwang is a scientist and advisor to Joh Fredersen, the Master
of Metropolis. Rotwang, is a peculiar
man to say the least. He lives in a
small, dumpy house in the center of the city.
This house has only one door and one window, and also has access to the
cities catacombs via the basement.
Rotwang spends most of the day in his home performing his various
experiments and mourning the death of his former lover, Hel, who left him for
Joh Fredersen, and perished during childbirth.
Rotwang has a contentious relationship
with the industrialist Joh Fredersen, to say the least, and surprisingly is
kept as a top advisor by Joh Fredersen.
Rotwang shows Joh Fredersen, his latest creation, a “Man-Machine” that he
intends to use to bring Hel back from the dead (by trapping her soul in the
robot). Rotwang actually lost one of his
hands while working on the Man-Machine.
Joh Fredersen sees potential in Rotwang’s newest invention and instead
instructs him to construct the Man-Machine in the image of his son’s lover,
Maria—the powerful and influential leader of the Working Class—in hopes of
disrupting there movement. Rotwang
reluctantly obliges, but double-crosses Joh Fredersen, by programming the
Maria-bot (That’s just what I’m calling her) to only obey his commands.
THE ACTOR:
Rotwang is played by German Actor Rudolf Klein-Rogge, who has
appeared in some of the earliest and most influential German films in
History. He has an uncredited role in “The Cabinet of Dr. Caligari”, and also
played the role of Dr. Mabuse. Rudolf
Klein-Rogge is known most commonly for playing Mad Scientist roles in films.
CHARACTER
IS SIMILAR TO OR INSPIRED BY:
Rotwang is a one of the earliest incarnations of a Mad Scientist
in film, and thus, he has played a huge influence as to how the role is played
in films. Rotwang obviously shares a lot
of traits with Victor Frankenstein from Mary Shelley’s Frankenstein,
both are mad scientists with the desire to try and bring a person back from the
dead, albeit, two completely different methods.
And both are said to have a God-Complex and are, “mad”.
Dr. Victor Frankenstein
I
see similarities between Rotwang and Hjalmar from “The Black Cat” (1934). Both
are German men who have an unhealthy obsession with trying to bring back their
dead lovers.
I also see
similarities between him and Jack Dante from the film “Death Machine”, as are reclusive scientists, with mental
instabilities who live in their own little world, but are still gainfully
employed by rich and powerful companies, where they are paid to create godknowswhat in their laboratories and
then use their robot creations to unleash death and destruction on their
masses. Oh yes, Rotwang is probably the most influential Mad Scientist
character in the history of film.
Jack Dante from "Death Machine"
FATE OF THE
CHARACTER:
After his Maria-bot orders the workers to unleash untold
destruction on the Metropolis, Rotwang goes to reap the benefits of his
work. He is unaware that the workers
have come to their senses and have burned the Maria-bot (believing it to be the
real Maria). Rotwang eventually comes
across the real Maria, but believes she is actually his Man-Machine. Rotwang partakes in a chase and epic fight on
top of the cathedral, with Freder (the son of Joh and Hel Fredersen), where he
is knocked of the roof and plummets to his death.
Definitely one of the strangest and most memorable films I've seen with or without sound. Well done!
ReplyDelete