Friday, January 5, 2018

Character Analysis: Vincent Moore

Character Analysis: Vince Moore

By: Brian Cotnoir

Vince Moore from "CHAPPiE"
Alright, so when the film “CHAPPiE” came out in 2015, it didn’t really strike me as anything that I wanted to see.  Flash forward some time later, I was introduced to the South African hip-hop group Die Antwoord, and when I found out that they star as themselves in a the film “CHAPPiE”, I decided to seek out the film, and what can I say other than I really liked.  It had elements of “RoboCop” and “Iron Man”, and was a visually pleasing film.   
So with that being said, I decided that I wanted to do a Character Analysis on one of the members of Die Antwoord, however, I found it quite difficult to choose which one I preferred to write about, and then the more I thought about it, I decided that they were more or less playing slightly fictionalized versions of their on stage personas.  Well, Die Antwoord, weren’t the only stars in the film I that I enjoyed.  Hugh Jackman also appeared in the film, and when I realized that I had never done a Character Analysis on any of Hugh Jackman’s characters, I decided that I needed to change that, and so here is my Character Analysis on his character from “CHAPPiE”, Vincent Moore.

CHARACTER: Vince Moore from “CHAPPiE” (2015)

     Vincent Moore is a soldier turned robotics engineer for the Tetravaal Corporation in Johannesburg, South Africa.  He is the creator of the giant weaponized robot controlled by a human remote control called MOOSE.  Moore’s work (and funding) are constantly being slashed due to a more popular and efficient Police Robot Droid designed by one of his co-workers, Deon Wilson.              
    Vincent’s jealousy slowly boils over into rage and he concocts a plan to sabotage Deon’s robot droids and convince his boss, Michelle Bradley, to let him put the MOOSE into action.         
    As a former soldier, Vincent definitely gives off an alpha male vibe to everyone around his office.  He uses his imposing stature to intimidate his co-workers—especially Deon—and openly carries a pistol on his belt everywhere he goes, including the office.  He strangely enough comes across as a strict conservative and somewhat religious, often inviting his co-workers to join him at church on Sunday.  In some ways he comes across as your stereotypical Midwestern American whose life revolves around Guns and giving glory to God.                     
    Vincent uses his military skill to stalk Deon and discovers that he has created a police droid with Artificial Intelligence.  He uses his connections at the Tetravaal Corporation to ambush Chappie steal the companies Guard Key to shut down the other droids, which causes chaos and anarchy to reign all over the city of Johannesburg.  He pins the blame on Deon, and finally convinces his superiors that his MOOSE is their only hope at restoring law and order in the city.                        
    However, Vincent also has ulterior motives. He doesn’t just want to look like he saved the city, he wants to destroy Deon, his robot creation Chappie, and anyone else who stands in his ways.  


Hugh Jackman plays Vincent Moore
Vincent Moore is played by Australian actor, Hugh Jackman.  Despite being set in South Africa, Jackman’s character was allowed to keep his natural Australian accent (with no rhyme or reason why an Australian solider might being working for a weapons company in South Africa).  Jackman is a very versatile actor who can play any character from a larger than life flamboyant singer to a bad ass super hero. In “CHAPPiE” we finally get to see him as an all-out villain, and not like a dark brooding anti-hero, like Wolverine.   In this film it’s very clear that Jackman’s character is the baddy, and he does a great job with it.


    Vincent Moore is more or less a combination of every “Iron Man” movie villain.  He creates a giant killer robot that only he can control with the intention of destroying a colleagues robotic creation like Obidiah Stane.  He is driven to sabotage a more successful rival and show off his untested robotic creations and earn a government contract like Justin Hammer, and his driven by vengeance like Aldrich Killian.         
    I would also say that he shares some slight similarities to another Jackman character, Charlie Kenton, from the movie “Real Steel” as both characters fight epic battles using robots that they control with the minds and movement.

Hugh Jackman in "Real Steel"


     Vincent uses the MOOSE to track down Deon, Chappie, and group of gangsters that Chappie has befriended (played by Ninja and Yolandi of Die Antwoord).   In an attempt to destroy Chappie once and for all, he ends up shooting Deon and murdering Yolandi, who Chappie views as his mother.  In a blinding rage Chappie destroys MOOSE before traveling to Tetravaal headquarters and proceeds to senselessly beat Vince to the near point of death, thus leaving the fate of hi character open to interpretation  (or a possible return if the film ever spawns a Sequel).  

Saturday, December 23, 2017

Character Analysis: Lestat de Lioncourt

Character Analysis: Lestat de Lioncourt

By: Brian Cotnoir

     So a little background story first: This year, I went to the city of New Orleans for my 28th birthday this year.  It was my first time in the city, I have no clue what made me want to go, but it just seemed like my kind of place, so me and my best friend booked a flight down and spent the week down there, and fell in love with the French Quarter.   Since I got back, I’ve been obsessed with all things New Orleans.  I’ve been reading books about the city, watching movies and TV shows set there, that city put some kind of spell on me.   And well, I figured this would be the time to talk about an Anne Rice character seeing as a good portion of her Vampire Chronicles stories are set in the New Orleans area.  And I could think of any better Anne Rice character to write about than Lestat de Lioncourt.  Now I should clarify that I am only going to be talking about the Film versions of Lestat only, so I’m sure to leave out some key details about his life in this post because I’m only focusing on the film versions of him, and there’s bound to be differences or changes to the events in the life of Lestat in the films vs. the events of his life in the books, and there are a lot of things in both film versions that seem to contradict one another.

CHARACTER: Lestat de Lioncourt from “Interview with a Vampire” (1994) and “Queen of the Damned” (2002).

Lestat.  Tom Cruise (L) and Stuart Townsend (R) 
In the earliest introduction to Lestat de Lioncourt we see that was a French Nobleman sometime in the late 18th century.  He was transformed into a vampire by a vampire named Marius in the winter of 1788, on an island in the Mediterranean.  Marius teaches Lestat everything he needs to know about being a vampire, though he absolutely detests having to hide his vampirism, when he feels he should be able to tell everyone.  He records his thoughts in a diary while living with Marius, and eventually discovers the crypt of Queen Akasha—the Vampire Mother of All vampires—and unintentionally awakens her.     

    Lestat has certain arrogance about him.  He is cocky, self-centered, egotistical, and is constantly in pursuit of a new kill or person to turn into a personal play thing.  He is manipulative and likes to play mind games with people.  To him people are things for him to play with.  To Lestat, mortals are either food, or someone he can turn into to use has his own personal plaything.  He has total disregard for all persons other than himself.  He also comes across as a person who has to be completely in control, it’s his way or the highway.                
Lestat and his protege Louis from
    Three years later he wound up in 1791, where he met a young man named Louis de Pointe du Lac, of which he becomes infatuated with and turns into a vampire.  Although, Louis requested that Lestat turn him into a vampire, Louis has an extremely difficult time coming to grips with his new life as a vampire and his reluctance to take any human lives so that he might live another day, and instead opting to feast on the blood of animals instead.  Louis’s desire to remain human by avoiding taking the lives of humans tests Lestat’s patience and prompts him to lash out at Louis in anger, and he is constantly peppering him with verbal abuse and antagonizes him for not accepting his life as a vampire.  Lestat often has to finish Louis' kills for him.  Fearing Louis will leave him, he turns a young Orphan girl, named Claudia, into a vampire so the two of them might raise her as their daughter.  Lestat is very impatient with Louis, but as time progresses he does become more patient.             
    Lestat is also quite musically gifted.  In “Queen of the Damned” it is revealed that Lestat is quite an accomplished musician.  He plays the violin and is also a great singer with hypnotic-like vocals, and at this point in his life he’s more interested in feeding on humans rather than turning them into vampires, and at no point does he try to turn any of his bandmates into vampires either.  


Lestat is played by Hollywood Legend Tom Cruise in “Interview with a Vampire” and actor Stuart Townsend in “Queen of the Damned”.  Each actor portrays Lestat in entirely different ways.   Cruise’s Lestat is a colorful, charming, attention seeker, who craves the admiration and affection of others.  Townsend’s Lestat is definitely a more brooding, apathetic type.  He’s arrogant, but also gives off a loner vibe.  Like Cruises Lestat he has a desire to be heard by all, but strangely enough does not want to be seen.   Very rarely in “Queen of the Damned” do you see Lestat appear with his bandmates unless he’s performing on stage, otherwise he seeks isolation and hides in his castle in England.  


     Lestat in The Vampire Chronicles novels was inspired by Author Anne Rice’s husband Stan Rice.  In fact Lestat in the novel was almost named Lestan.                                    
     As for the film portrayals of Lestat, well like the actors who play Lestat they both present their representations of Lestat in very different ways. Tom Cruise definitely comes across as more foppish and sophisticated.  He is a person who wants and desires only the finer things in life, and will stop at nothing to get what he wants.  He is focused on outward appearances and looking his best.   There are definitely a lot of homoerotic undertones in Cruises portrayal—just like in the novelization of Interview with a Vampire—but in the film comes more across as a bisexual or polyamorous man seducing both men and women indiscriminately.  He appears to prefer young women, just to feed upon, but seems more sexually attracted to men.      
    I would say Cruise’s Lestat is quite similar to Colin Firth’s character Valmont from the 1989 film “Valmont” (*I don’t think Cruise’s Lestat is anything like John Malkovich’ portrayal of Valmont form “Dangerous Liaisons” even though they’re the same character from the same French novel*).  Both are members of French High Society and are in constant pursuit of gaining things for their own selfish needs.    
Colin Firth in "Valmont" (1989)

Tom Cruise in "Interview with a Vampire" (1994)
    Lestat in “Queen of the Damned” shares some of those qualities too, but is also quite different.  Townsend’s portrayal Lestat comes across as more “androgynous” than sexually ambiguous.  He only feeds on women in “Queen of the Damned” and often has the bands manager bring him two willing female fans each night for him to feast upon.  Lestat in “Queen of the Damned” does not try to cover up his vampirism, and is very open about being a vampire—much to the disapproval of his fellow vampires—and reminds me of a cross between popular Goth rock musicians like Peter Murphy, Trent Reznor, Peter Steele, and Marilyn Manson.
    As for film characters, I would say Townsend’s Lestat is similar to Brandon Lee’s Erik Draven from “The Crow”, and I would definitely say that Townsend’s Lestat probably inspired the look and portrayal of the character Queenie from the 2009 film “SUCK”; both are Vampire Rock Stars who use their vampirism to catapult their music careers and stardom.

Queenie from "SUCK" (2009)


     Like I said at the beginning of the post there are a lot of contradictions between Lestat’s lives in both films that don’t sync up suffer from a lot of continuity issues.   Another aspect where the Lestat’s differ is that “Interview with a Vampire” is based off of just one of the Anne Rice novels while; “Queen of the Damned” takes aspects from both the novel Queen of the Damned and The Vampire Lestat.  So there are parts in the film version of “Queen of the Damned” that don’t make much sense.        
In “Interview with a Vampire” we see that Lestat has survived multiple assassination attempts at the hands of Claudia and Louis including, tricking him into drinking a dead person’s blood, slitting his throat, feeding his corpse to a swamp alligator, and setting him on fire.   Despite all these things happening to him, Lestat seems to possess some Rasputin like mystical abilities surviving all the murder attempts.   Lestat spends the next two-hundred years or so sulking in his own self-pity and misery in New Orleans as the world changes around him while he himself sits in his weekend state yearning to return to his former glory.  We last see Lestat in “Interview with a Vampire” in San Francisco lurking in the shadows—possibly still in the pursuit of Louis.                      
    However in “Queen of the Damned” it is revealed by Lestat himself that he has spent the past 100 years asleep in his crypt—making his chance meeting with Louis in New Orleans impossible—waiting to die as the world passes by around him, until he hears the sound of a local rock band, where he assumes the role of the bands new lead singer and helps catapult them into the mainstream media.  After surviving multiple assassination attempts and defeating the Vampire Queen Akasha he disappears into the London night with his new girlfriend, Jesse. 

Sunday, September 24, 2017

5 Songs I don't want to hear for at least 10 Years

5 Songs that I don’t want to hear for at least 10 years
By: A. Aleister Sirrat

     Whoever said “You can never have too much of a good thing” has obviously never done cocaine before.  Yes, like all things in life—food, movies, TV, fashion, drugs, etc.—once you’ve had to deal with excessive amount of something you quickly begin to resent it.  I don’t think this idea is more prevalent then in popular music. Sometimes you just hear a song so much on the radio, in public, just everywhere that you grow to resent it.   These songs aren’t necessarily bad—you make actually enjoy singing along to some of them—but I’m just plain sick and tired of hearing them on the radio 10+ times a day, and the only logical thing I can think of doing with these songs is banning them from radio air play for at least 10 years (or until enough time has passed that they could be considered “nostalgic” and fun to listen to again.  So like I said, these aren’t bad songs, I understand if you like them; I just feel they need to be temporarily retired for air play for a while.

1.) Uptown Funk- Mark Ronson ft. Bruno Mars

I really liked this song when it first came out in 2014.  However, that was nearly three years ago and today I am sick of tired of hearing this song still playing on the radio.  I have never heard a song in my life time that has had this much staying power on the radio airwaves.  I hate hearing in on the radio, I hate hearing it at the pubs and the disco-techs, I hate hearing it playing over the PA system in the shoppes.  I am sick of tired of hearing “Uptown Funk”.  I love Bruno Mars, I think he’s like a Pop-Hybrid of Prince and Michael Jackson, and he has contributed and performed some of the best songs of the past decade, but for crying out loud, can we just give it a rest.  “Uptown Funk you Up”?  How about some “Uptown Shut the F*ck up”?!

2.) Renegades- X Ambassadors.

Okay, this song just sucks.  It’s part of that folksy-pop acoustic like Mumford and Sons and My Morning Jacket and it just sucks.  The song is simplistic and just boring.  Plus, if you want to hear a real good song about “Renegades”, then I recommend “Renegades of Funk” by Rage Against the Machine.

3.) All About that Bass- Meghan Trainor

If this song was released in any other time period, it would have a One-Hit Wonder written all over, but we live in day and age where success on YouTube translates out into success in Popular Music.  Yes, Meghan Trainor—or “Red State Amy Winehouse” as my friend Mander likes to call her—had brought “booty back” with her body positive image debut single “All About that Bass”, and there is absolutely nothing wrong with that.  The song has a positive message for not just young girls, but for all persons; Love the skin that you’re in and “every inch of you is perfect from the bottom to the top”.   However, it would appear that Miss Trainor has put all her best A-Material into this one song.  Yes, pretty much everything she has released since then is “all right at best”, but she has recorded or released anything that has the chart staying power of her debut single.  I guess, when your first music video has had almost 2.5 billion views on YouTube, it makes it very difficult to follow up with the same success.  Yes, she’s still one of the more popular and successful female artists today, but her other songs don’t draw as much attention as “All About that Bass”.  Just last year, I saw on multiple music critic lists that she had 2-3 of her songs on the list of “Top 10 Worst songs in 2016”.

4.) Fight Song- Rachel Platten

From one song about female empowerment to another. Rachel Platten burst onto the music scene in 2015 with her song “Fight Song”, a song she said she wrote in response to lots of things that were hurting her and a fear that she might not have what it takes to make it in the music industry.  Well, Miss Platten has found success and her song “Fight Song” has gone on to be used for many commercial things from raising money and awareness for women battling breast cancer to being a song played for Hillary Clinton during her Presidential Campaign in 2016, and for a slew of many other things used to market empowerment to women.  This is a good song, and it has a positive message, but I feel like it’s been used and played so much commercially that a lot of its meaning has been lost.  I know a woman, who’s a breast cancer survivor who absolutely hates this song.  She told me that after hearing it so much at rally’s, marches, and fundraisers for breast cancer awareness that the song has lost all meaning to her.  That in no way expresses the thoughts or opinion’s on all women battling breast cancer, that is just the opinion of one woman I know who battled the disease.

5.) Shape of You- Ed Sheerhan

Ed Sheerhan, what I nice ginger boy he is.  I heard his name so much before I ever realized I had ever heard some songs.  A lot of his songs are quite enjoyable, but his most recent charting success “Shape of You”.  Wow, this song hasn’t even been out a year, and I’m already sick of it.  I think this the fastest I’ve ever grown to resent a song.  Just like Bruno Mars, I do conider myself a fan of Mr. Sheerhan, but every time I hear this song play, I grow to like him less and less of a person.  I hate this song more than his cameo appearance on Game of Thrones.  Ed, I beg you.  Go back to writing and performing good songs and stop with his pop rubbish!.

Sunday, July 16, 2017

Character Analysis: Max Shreck

Character Analysis: Max Shreck
By: Brian Cotnoir

Hello Friends, Long time no post.  Life’s been very busy for my lately as I continue to work towards my Masters, AND I started a new job, that I am very happy with, so I’ve had very little time to watch movies, let alone write new reviews.  Well, I’m here to talk to you today about one of my favorite film franchises of all-time; The “Batman” Films.  I’ve always been a fan of Batman, ever since I was a little boy.  I grew up watching Kevin Conroy voice Batman on “Batman the Animated Series”, I watched the Joel Schumacher Batman films, when I was a little, and I even watched a little bit of the Original Batman TV series, starring the late and great Adam West.  I did not see the original Tim Burton, Batman movies.   I’ve wanted to do a Character Analysis on a Batman Character for so long, but I kept running into the same issues every time.  Most of the Characters in the Batman films are directly inspired from the DC Comics, which would require some extensive research so I could discuss the differences between the characters in the Comics and the same characters in the films.  Not to mention that as of this date there have been 8 different Feature Length films featuring Batman, not to mention countless Direct to Video/DVD Animated Films, and would require a ton more research and would take me too long to complete.  But at last I finally came across a character from a Batman film—My Favorite Batman film actually—that is worthy of a Character Analysis; a character who never appeared in any prior Batman comics and was specifically created for a one time film role only.  So without further delay please enjoy my Character Analysis of Max Shreck from “Batman Returns”.

CHARACTER: Max Shreck from “Batman Returns” (1992)

Christopher Walken plays Max Shreck in "Batman Returns"
Max Shreck is the millionaire owner of Shreck’s Department Store in Gotham City.  Shreck’s displays acts of generosity around the Holiday Season, donating loads of toys and money to those in need all over Gotham City.  Many people refer to him as the Santa Claus of Gotham City.  However beneath his generous exterior lies a manipulative and malevolent man.  He has plans to expand his business empire by constructing a large Power Plant in Gotham City, with a little financial and political backing from the Mayor of Gotham City and the wealthiest man in the city, Bruce Wayne.  However, Shreck has some sinister motives for his power plant.  His plant isn’t going to supply power to the residents of Gotham City, but rather suck and store power, leaving the residents of Gotham City powerless (pun intended).  However, Shreck’s incompetent secretary Selena Kyle, accidentally uncovers Shreck’s evil plan, for which he tries to kill her by tossing her out a window near the top floor of his building, for having figured out his nefarious plan.      Shreck ends up being kidnapped and blackmailed by an evil underground villain known as The Penguin, who threatens to expose Shreck’s sinister deeds—including murder, fraud, and pollution—if he doesn’t help him with his own evil plans.  Shreck agrees to help The Penguin (whose real name is Oswald Cobblepot).  Using his money and power Shreck helps the Penguin stage a fake kidnapping where the Penguin will heroically rescue the Mayor of Gotham City’s infant child.   Once The Penguin has found favor and popularity amongst the residents of Gotham City, Shreck plans to use his money and power to get The Penguin elected Mayor of Gotham, so that he can get the approval he needs to build his power plant.


Max Shreck is played by Hollywood Legend and Academy Award Winner, Christopher Walken.   “Batman Returns” was the first time Walken ever collaborated with writer/director Tim Burton.  Walken and Burton would work again together on the film “Sleepy Hollow” (1999), where Walken played The Hessian Soldier/Headless Horseman.  

Actor Maximillian Schreck as Count Orlock in "Noseferatu"
Unlike many other characters that have appeared in the Batman films, Max Shreck had not appeared in any prior Batman Comics.  He was created specifically for the film to fill the villain void left by actor Billy Dee Williams after he opted to not reprise his role as Harvey Dent in “Batman Returns” (…at least according to Wikipedia).  Shreck’s name is nod to the German Actor Maximillian Schreck who played the fiendish Count Orlock in the 1922 Classic German Horror film, “Nosferatu”.  Other than a name Max Shreck shares no similarities to the actor of the same name.          I honestly think Shreck shares some similarities and was possibly influenced by Donald Trump (before he became President of course). When you look at the similar hair styles, their ruthless business savvy minds, their use of Power and Money to achieve their own personal gains, while seemingly trying to pass themselves off as Regular Joes with caring, generous hearts, I definitely think Christopher Walken was trying to channel some Donald Trump into his acting performance.

I see it, Don't you?! 


The End of Max Shreck 
After betraying The Penguin, who fails to get elected Mayor of Gotham City, Shreck tries to return to Business Empire like nothing changed.  Shreck is now being pursued by three persons, Selena Kyle (who has no donned the alias Cat Woman) for trying to murder her, The Penguin for welching on their deal, and Batman/Bruce Wayne, who has uncovered that Shreck and The Penguin were in cahoots together.  Shreck sacrifices himself to save his son, Chip (who had saved his life earlier in the film) and agrees to go with the Penguin where he will be killed.  While a fierce battle goes under the Gotham Zoo between Batman, the Penguin, and Catwoman, Shreck tries to escape unnoticed.  After trying once again to finish off Selena Kyle/Cat Woman for good, Shreck is brutally electrocuted to death by Selena Kyle, thus is the last we ever see or hear of Max Shreck in the Batman films. 

Tuesday, March 14, 2017

YET ANOTHER 5 songs you probably forgot about until you read this article

Yet Another 5 Songs you completely forgot about until you read this post
By: Brian Cotnoir

     Wow, my last post—and third in this edition—got such positive feedback that I just had to write another one, where I attempt to remind you songs that you—may have—completely forgot about.  Now, one thing I often overlook to when I compile these lists is artists who were semi-popular in the US, but were huge in their home countries.  So for some of these artists, you may be saying “Who the hell is that”?, but I do distinctly remember them having moderate—at best—success in the US.  So let’s not waste any more time, and let’s just have some fun memberin’.

1.) Southside by Moby ft. Gwen Stefani

oooooooooooooooooooooooo k??? 
Many things come to mind when you think of Gwen Stefani.  Some people remember her as the bada$$ lead singer of the band No Doubt, other people are more familiar with her pop songs and solo career, while other’s know her as one of the co-Hosts on the popular American reality show “The Voice”.  There’s no doubt (pun TOTALLY intended) that Gwen Stefani is one of the best and most influential female singers of all-time, and I believe that one of her most underappreciated works she has done was her collaboration on the song “Southside” with Moby.  I have no idea what genre of music Moby qualifies under.  I’ve heard some people say he’s a DJ, other people tell me he’s a producer, while others say he’s an experimental artist, but one thing is for certain, his song “Southside” is probably his greatest contribution to music, and including Gwen Stefani on the song was a brilliant move on his part. 

2.) Are you Jimmy Ray?- Jimmy Ray

It’s so weird to see how musicians today like Mark Ronson, Bruno Mars, Meghan Trainor, and the late Amy Whinehouse all seem to have that Retro-Inspired Sound in some of their music.  You know that sound that’s hybrid of pop-music and old 50’s and 60’s rock music?  Well, it’s amazing that everyone talks about how influential these artists are in creating and developing that sound, and yet never hear anyone talk about Jimmy Ray!  Now, you’re probably asking yourself, “Who the hell is Jimmy Ray?”.  Jimmy Ray is in English Pop/Rock Musician (so that’s probably the biggest reason you never heard of him, but what’s cool and interesting about Jimmy Ray was that he was creating Pop Music with a Retro sound style all the way back in 1998!  Jimmy Ray’s one and only hit “Are you Jimmy Ray” got some popular airplay (largely thanks to his music video) in early 1998.  The best way I can describe Jimmy Ray’s look and sound is early Elvis Presley meets Johnny Cash’s Man in Black, meets Buddy Holly, and meets George Michael’s “Faith” years.

3.) Blue- LeAnn Rimes

I grew up in a household with parents who loved country music.  Two country musicians I remember listening to a lot as a kid are Billy Ray Cyrus and LeAnn Rimes.  And you would think with the popularity of Female country singers like Miranda Lambert, Gretchen Wilson, Carrie Underwood Faith Hill, and ladies from Little Big Town, and Lady Antebellum that someone in music world would say “Hey, what about LeAnn Rimes?”.  You rarely hear people mention her name today, but “Blue”—a cover song she sang and recorded—when she was only 13 years old, blew up all over the radio in the 1990’s.  My parents had this album, all my aunts and uncles had this album and played it, and she was good.  She has a lot better voice than a lot of other women in country music today, so I just want to know why we don’t hear anything about LeAnn Rimes anymore, especially her early work on the radio.

4.) Gotta Tell You–Samantha Mumba

Another Irish Pop-Star that just couldn’t find a lot of success in the U.S. was Samantha Mumba.  Her only real success musically in the U.S. was her song “Gotta Tell You”, which I remember got a heavy rotation down at the roller rink the music video was featured a lot of Disney Channel in the 1990’s back when they used to play music videos for songs that were featured in some of their upcoming movies.  Samantha Mumba may not have found a lot of success in the U.S. as a musician, but she has found some success in her native an actress!  She’s appeared in a few films, and I actually saw her in a zombie horror-comedy film called “Boy Eats Girl” (believe me, the title is not as erotic as it sounds).  I couldn’t believe it was her when I saw it, but I’m glad to hear she is having some success.

5.) Sunny Came Home- Shawn Colvin

Originally, I was going to put “Where have all the cowboy’s gone” by Paula Cole on this list, but after consulting a few friends of mine, who told me that they still remember this song, and can actually sing the chorus to the song, proves to me that it’s a song that isn’t too far removed from people’s memories, but another song that I mentioned, from the same year that “Where have all the cowboy’s gone” didn’t ring a bell for any of them.  The other song I mentioned was “Sunny Came Home” by Shawn Colvin.  What’s crazy is this song one two Grammy’s for Song of the Year and Record of the Year—it actually beat out “where have all the cowboy’s gone” for both awards, and yet less people remember it.  When Shawn Colvin, I hope Sunny Come’s Home, and more people begin to remember your one hit song.

Well there you have it again, I hope once again that these songs brought back some good memories for you, and be sure to click the links below to check out the other songs we’ve talked about in the past.

Saturday, March 4, 2017

ANOTHER 5 songs that you've probably forgot about until you read this article

Another 5 Songs that you’ve probably forgot about until you read this article

By: Brian Cotnoir

Hello friends, how have you been?  Continuing my series I attempt to retrigger the memories of certain songs and musical acts from not too long ago, so I can bring on a feeling nostalgic euphoria.  Now, I’ve talked multiple times in the past about One-Hit Wonders on the blog, and attempt to figure out why makes them one-hit wonders, and discuss how it is possible we can actually forget some of these tracks for so long, and one day randomly think about it, and wait for the flood of memories to come back.   Well I’m hoping once again to attempt to help you recapture some of those feelings right now. 

1.) C’est la vie by B*Witched

This is the song that actually inspired this list.  You see the other day I was having a co-worker, and at the end they just through their hands up in the air and said the term “C’est la vie” (French for “such is life”) and then the next thing you know I’m walking through the halls singing “say you will/say you won’t/say you’ll do what I don’t/say you’re true/say to me c’est la vie”.  Yes “C’est la vie” the one hit song from the Irish girl group B*Witched.  You probably remember this song from the Disney Chanel original TV movie “Smart House”, you know the one where the boy wins the robotic house, that’s voiced by Katy Segal, and then he reprograms it, and she goes all Hal-9000 on them?  See a double Nostalgia Whammy for you, you’re welcome.  It’s clear that B*Witched was trying to be like the Irish equivalent of the Spice Girls, but they came way up short, and I think they have more in common with the A-Teens then they do the Spice Girls.  Still not a bad song though.

2.) Crazy for this Girl by Evan and Jaron

Before the airwaves were dominated with faux-sensitive, soft sing, piano playing whiny babies like Lukas Graham and Charlie Puth, there faux-sensitive soft singing, guitar playing fools like Evan and Jaron.  I will give these twin brothers some credit, this was a really catch song, and you got the feeling that they actually were trying to write a good song and not just some commercial pandering love ballad.  I haven’t really heard much about them as of late, but I had a friend in college who told me that Jaron has since gone solo and now performs as a Country act.  I’m not really into country music, but I can only hope that for those who go to see him perform live that he breaks out this song he wrote and performed with his brother at the end of his set.

3.) If you’re not the one by Daniel Bedingfield

     For the longest time I—along with many other people—thought that this was a song by Savage Garden, but years later I learned that it was not Savage Garden who wrote and performed this song, but rather a British singer/songwriter by the name of Daniel Bedingfield who is the brother of Brit-Pop Singer, Natasha Bedinfield.   Well, when you have a more famous sibling, and a majority of people think that a song you wrote and performed was played by another group, you can’t really expect to have much of a music career, and I think Daniel Bedingfield should be happy that his career made it this far.

4.) Handlebars by Flobots

I know people who absolutely despise Rap and Hip-Hop music, but still thoroughly enjoy and will sing the lyrics to the song “Handlebars” by Flobots.  I can’t really blame them, the song starts off simple guitar riff, and just gets louder and more bombastic as it gets on.  It’s a song that tells the story of two different paths taken by friends to become somebody in the world, and you know what it’s super catchy, enjoyable, relatable, has message that I think we all can understand, and you know what: if you don’t like this song, I think there’s something really wrong with you.

5.) Together Again by Janet Jackson

I feel like a lot people forget that Janet Jackson was an accomplished singer in her career.  You don’t really hear a lot of people talk about her musical career, when compared to her famous brother Michael, and her other brothers in the Jackson 5.  Even when people do talk about Janet Jackson, it’s mostly about her early tracks, but she was still making good music even in the late 90’s.  One such example of her great songwriting comes from the song “Together Again”, a ballad that was transformed into a Pop song.  It’s a song she—supposedly—wrote to deal with the grief after losing a good friend of hers to AIDS, but surprisingly has an optimistic beat and melody to it.  I feel like when some people are sad their first instinct is to play out their emotions with something sad and somber like Adele to help them get through whatever it is they are dealing with, but I honestly think Janet Jackson’s “Together Again” would be a much better choice, because you could not only sing along to it, but you can also dance your bad feelings out to it as well.

So there you have it Another 5 songs that you’ve probably forgot about until you read this article.  Did this list bring back any fond memories for you?  What are some other songs that you feel like people forget about too often?  Let me know in the comment section, and as always thanks for reading and be sure to check out some of our other articles on Asylum for Nerds

Friday, February 10, 2017

Character Analysis: Rotwang

Character Analysis: Rotwang

By: Brian Cotnoir

One of the earliest and most successful films of all-time has to be Fritz Lang’s “Metropolis”.  For a film that is almost a century old it still receives praise for its style, set, practical effects, and story.  The film only has 5-6 actual characters that you get to know from watching the film.  There’s the bitter Joh Fredersen, the sweet-natured Freder, and of course the lovely Maria, but as I learned through a quick search of Google, there have already been tons of Analysis’s done on these characters, but much to my surprise, there was one character that not—for the most part—has gained little fanfare, so today I am here to do my analysis on, Rotwang, the mad scientist.

CHARACTER: Rotwang from “Metropolis” (1927)

    Rotwang is a scientist and advisor to Joh Fredersen, the Master of Metropolis.  Rotwang, is a peculiar man to say the least.  He lives in a small, dumpy house in the center of the city.  This house has only one door and one window, and also has access to the cities catacombs via the basement.  Rotwang spends most of the day in his home performing his various experiments and mourning the death of his former lover, Hel, who left him for Joh Fredersen, and perished during childbirth.                       
Rotwang has a contentious relationship with the industrialist Joh Fredersen, to say the least, and surprisingly is kept as a top advisor by Joh Fredersen.  Rotwang shows Joh Fredersen, his latest creation, a “Man-Machine” that he intends to use to bring Hel back from the dead (by trapping her soul in the robot).  Rotwang actually lost one of his hands while working on the Man-Machine.  Joh Fredersen sees potential in Rotwang’s newest invention and instead instructs him to construct the Man-Machine in the image of his son’s lover, Maria—the powerful and influential leader of the Working Class—in hopes of disrupting there movement.  Rotwang reluctantly obliges, but double-crosses Joh Fredersen, by programming the Maria-bot (That’s just what I’m calling her) to only obey his commands.


Rotwang is played by German Actor Rudolf Klein-Rogge, who has appeared in some of the earliest and most influential German films in History.  He has an uncredited role in “The Cabinet of Dr. Caligari”, and also played the role of Dr. Mabuse.  Rudolf Klein-Rogge is known most commonly for playing Mad Scientist roles in films.


Rotwang is a one of the earliest incarnations of a Mad Scientist in film, and thus, he has played a huge influence as to how the role is played in films.  Rotwang obviously shares a lot of traits with Victor Frankenstein from Mary Shelley’s Frankenstein, both are mad scientists with the desire to try and bring a person back from the dead, albeit, two completely different methods.  And both are said to have a God-Complex and are, “mad”.           

Dr. Victor Frankenstein
     I see similarities between Rotwang and Hjalmar from “The Black Cat” (1934).  Both are German men who have an unhealthy obsession with trying to bring back their dead lovers.               
     I also see similarities between him and Jack Dante from the film “Death Machine”, as are reclusive scientists, with mental instabilities who live in their own little world, but are still gainfully employed by rich and powerful companies, where they are paid to create godknowswhat in their laboratories and then use their robot creations to unleash death and destruction on their masses. Oh yes, Rotwang is probably the most influential Mad Scientist character in the history of film.

Jack Dante from "Death Machine"


After his Maria-bot orders the workers to unleash untold destruction on the Metropolis, Rotwang goes to reap the benefits of his work.  He is unaware that the workers have come to their senses and have burned the Maria-bot (believing it to be the real Maria).  Rotwang eventually comes across the real Maria, but believes she is actually his Man-Machine.  Rotwang partakes in a chase and epic fight on top of the cathedral, with Freder (the son of Joh and Hel Fredersen), where he is knocked of the roof and plummets to his death.